“The VUE line arrays always amaze me with their configurability and headroom. REO’s FOH engineer was very impressed, like so many engineers who get their first chance to mix on a VUE rig when they come through this venue. After the show, it goes straight to their rider.”
-Larry Hall, H.A.S. CEO
VUE Line Arrays Takes the Stage with REO Speedwagon
VUE Delivers Top-to-Bottom at Plano’s Legacy Hall
“The al-8 line array required less than three filters to get it perfect in the Legacy West venue. It’s clear to me that VUE understands the value of getting it right at the cabinet level, then using DSP to simply augment, rather than as a fix for a bad design. Put simply, the al-8 is really impressive.”
-Alan Edwards, Nautilus Entertainment Design’s Principal Audio Designer/Consultant
Wallmans Oslo Receives Full VUE al-Class Upgrade
“The al-8 is virtually invisible to my ears. It has a wide-open voice that allows me to place the source of the sound right where I want it in the mix. I’m free to create an experience where sound is coming from something on stage, rather than from a speaker hanging above or to the side of the stage. I have never experienced anything like this before.”
– Sigmund “Sigge” Rønning, Wallmans FOH technician
VUE Unveils New hm-115 High Definition Stage Monitoring System
“Mike Adams is responsible for some of the most widely-used and universally requested stage monitors in touring history. The hm-115, and the h-Class in general draw from Mike’s vast catalog and experience to bring a new performance standard to the stage in a familiar and well-established format.”
Delmar Loops Around to VUE Audio for The Pageant Audio Upgrade
“The system went up really fast and coverage was very good with virtually no tweaking required. In other words, pretty much exactly as the EASE model predicted. That’s surely a testament to VUE’s simple rigging system and the tight integration between the boxes and the VUEDrive processors.”
-Randy Noldge, FOH and Senior Engineer for The Pageant